From Here to Eternity: Assurance in the face of sin and suffering // Ray Galea

From Here to Eternity book coverI think it could be said that Romans 8 may well be the most glorious, joy-inspiring, hope-giving chapter in the book containing the clearest and most comprehensive treatment of the Christian gospel message in the entire Bible. It’s hard to choose favourites, and of course we must let all of scripture speak rather than honing in on one chapter or book in isolation, but I have certainly found in my own walk with God that the truths contained in Romans 8 and 9 in particular have been a balm that breaks through the difficulties and sorrows of life, shining a light that causes our sufferings to pale in comparison to the glory that will be revealed in us (Romans 8:18, 2 Corinthians 4:17), and helping us to face them in faith and with joy and hope.

In this wonderful book by Australian pastor and author Ray Galea, the reader is taken on a journey through this chapter, section by section, beginning with our life in the Spirit as believers (including the incredible declaration of ‘no condemnation’ for those who are in Christ), our status as heirs with Christ as a result of our adoption as children of God, the way in which God works through and in the midst of our suffering – with the Spirit interceding for us in our darkest moments – for our good and for God’s glory, to the assurance we can have thanks to God’s unbroken chain of redemption, and concluding with the amazing reminder that nothing, absolutely nothing, can separate us from the love of God.

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Reformed? Bapticostal? What?

In arguably his most famous play, Shakespeare’s female protagonist asks a well known question about the substance of a name;

“What’s in a name? That which we call a rose
By any other name would smell as sweet.”

I haven’t really thought about this until now, but Shakespeare is like the king of the English language (other authors come and go but Shakespeare will seemingly forever be studied by English students) and yet in this very famous scene the character wants to disregard the word (in this case a surname) as a means of describing the idea or person that it represents. This of course goes against the grain of history in which names carried authority, tradition, and identity.

Similarly, 19th Century Danish Philosopher Soren Kierkegaard is quoted as saying

Once you label me you negate me.

Now without getting into a full blown discussion on post-modernity, relativism, ‘progressive social norms’ and ‘subjective reality’ (I know, this sounds like an oxymoron, but I’ll leave that for later), I have to say both men were ahead of their time with the notion of wanting to strip words of their definitive meaning, instead freeing up concepts, ideas and even identities to remain undefined and unrestricted. However, I also think this notion is, at times, extremely unhelpful.

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